Content Immersion: Inspiring Students to Become Experts
by Jeanne Anderson
How can we inspire students' curiosity in a topic? How do we motivate students to actively research that topic, and how can we whet the appetite for an expedition topic? Building background knowledge workshops can be used to inspire discussion and collaboration on expedition topics or on more detailed content throughout the expedition. They spark new ideas and cause students to wonder and ask questions. They are not meant to contain the entire expedition, but serve to develop a road map. The workshop demonstrates how quickly participants, students or teachers, can become steeped in a topic, build background knowledge, and use that knowledge to become better-informed readers of difficult text.
When I am in the process of developing a building background knowledge workshop, I know it will be successful when I find myself engrossed in the topic, spending hours searching for original documents in libraries or perusing children's books in bookshops. If I feel passionate about the topic, invariably the children will as well. In my research, I make a special effort to find an evocative, powerful mystery text.
The mystery text is the initial poem, short essay, audio clip, historical document, or excerpt the teacher reads at the beginning of the workshop. It is important that this particular text covers various aspects of the topic that will evoke questions, thus the mystery. Are there unanswered questions and clear gaps where bridges to understanding will need to be built? Do students lack the sophistication to truly make connections or will the bridges to knowledge be met with some investigating?
How do you go about considering whether or not the mystery text is generative? In other words, does the text contain a rich array of directions in which the topic can evolve and can those in turn be used to make genuine meaningful connections to students' lives?
In looking for a mystery text to introduce, I consider the elements of the era, including music, writers, artists, geography, and culture as they relate to progress. I have conducted the workshop with a sophomore English class studying Langston Hughes and other writers of that era, as well as with fifth-grade students completing a study on the Harlem Renaissance.
I have used Harlem, a children's picture book based on a poem by Walter Dean Meyers as the mystery text for an expedition on the Harlem Renaissance. As a facilitator, I deconstruct the document, and find supporting text that clarifies the meaning of these questions or mysteries, noting the elements.
What questions might the students have after reading this mystery text? For instance, what is the significance of the geography: Trinidad, Goree Island, or Holly Springs? Throughout the poem there is a strong reference to music, why? Anticipating such questions will be the teacher's job when looking for both the provocative and expert texts.
In building background knowledge workshops, all students read a provocative text, which is an article, narrative, or essay that is interesting, thought provoking, and if possible, offer multiple perspectives on the topic. This broad article serves as a net that is cast to cover the big ideas of the mystery text.
The expert texts can include a number of sources. Consider a variety of four to five of the following: political cartoons, art work or other drawings, short biographies, novel excerpts, narratives, timelines, photos, artifacts, and short audio or video clips. Think in terms of the details that can be brought out through each piece. Do they help to unfold the mystery? For example, in the Harlem Renaissance workshop, I include a map of Harlem that shows the relationship of Lenox Avenue, 110th Street, 125th Street, and the A train.
I spread these collections among the group of three to five participants, and each member selects a text and becomes an expert in the area of their choosing. All members of the group are responsible for promoting listening, determining importance, making connections, and synthesizing the information. As a result of this accountability, students become more invested in their own learning, understand themselves better, and improve their reading comprehension.
Jeanne Anderson is a Midwest school designer based in Dubuque, Iowa.
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